Here shows me experimenting with one of the more difficult shots in the film:
SMAX Reverse tracking from Sam SheepDawg-OEight on Vimeo.
I believe the results were respectable and I will be happy to achieve this on the day of filming.
The limitation we have is we are not in possession of a dolly track. This is the most common way to produce this effect (shown below).
Since this post, I have received a camera mount for shoulders to keep moving shots steady. This will help the shot look more professional and is easier on me for filming.
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